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O/Modernt Composition Award

In 2021 O/Modernt will hold its 3rd Composition Award

in collaboration with Manchester International Festival, Manchester Camerata, Lilla Akademien and DUEN - The Danish Youth Ensemble. PATRON Erkki-Sven Tüür

Revise the future

Since time immemorial the past has been a source of inspiration for artists working in every creative field. O/Modernt (translated as ‘Un/Modern’) is the concept devised by the violinist Hugo Ticciati that celebrates this ‘looking back’, using imaginative programming to explore vital connections between old and new.

O/Modernt embraces the world of contemporary music, collaborating with composers at different stages in their careers from all over the world. In total, O/Modernt has commissioned more than forty works over the last decade, ranging from short solo works to fully-fledged cantatas and symphonic music.

O/Modernt is delighted to announce its annual Composition Award (2021), staged in collaboration with Manchester International Festival, Manchester Camerata, specialist music school Lilla Akademien and DUEN – The Danish Youth Ensemble. The winning work will be premiered in 2021 in Manchester and in Sweden and Denmark during the 2021/22 season.

The theme of the O/Modernt Composition Award 2021 is: NATURE and the CITY

Since the dawn of modernism the city has provided music, art and literature with perhaps its most enduring motif. Building on that tradition, the theme for this year’s award is the tension between nature and the city, and the evolving relationship between technology and the natural world.
Nostalgic reflections, a call to arms, a celebration or a lyrical lament: the theme can be freely shaped according to the composer’s own vision.

We are excited to hear how today’s composers open new musical pathways into a topic that is so central to contemporary human experience.

Discover the Jury below

€3,000 in prize money Premiere performances in Manchester in 2021 and in Sweden and Denmark during the 21/22 season
DEADLINE 1 April 2021
Tobias Broström Composer
Tobias Broström
Tobias Broström
Composer

Tobias Broström was born in 1978 in Helsingborg, Sweden. Following four years of percussion studies at the Malmö Academy of Music, he embarked on the pursuit of a Master’s degree in composition, studying with the Swedish composer Rolf Martinsson and the Italian composer Luca Francesconi.


Broström has composed chamber opera and various chamber music, but during the last years he has mainly focused on orchestral writing in works such as La Danse, Transit Underground, Crimson Skies, Crimson Seas, Kaléidoscope, Violin Concerto, Arena – Percussion Concerto No. 1, Piano Concerto – Belle Epoque, Samsara, Cello Concerto and Lucernaris – Concerto for Trumpet, Live Electronics & Orchestra, which was composed for Håkan Hardenberger. Numerous soloists, conductors, ensembles and orchestras, including, Robin Ticciati, Michael Sanderling, John Storgårds, Anna Larsson, Karen Gomyo, Thomas Søndergård, Andrew Manze, Dima Slobodeniouk, Johannes Gustavsson, Per Tengstrand, Colin Currie, Mats Rondin, Tõnu Kaljuste, Simon Preston, Johan Bridger, Hugo Ticciati, Jaime Martín, BBC Symphony, Detroit Symphony, Dresdner Philharmonie, BBC Philharmonic, Komische Oper Berlin, Symphonieorchester des Bayerischen Rundfunks, Estonian National Orchestra, BBC Scottish Symphony Orchestra, BBC Wales, Gävle SO, Helsingborg SO, Trondheim SO, Malmö SO, Sinfonieorchester St. Gallen, Vogtland Philharmonie, Oviedo SO, NorrlandsOperans SO, Aurora Chamber Orchestra, Brooklyn Rider, Musica Vitae, Third Coast Percussion Quartet, Malleus Incus, Essens:1 and Gageego have performed his works. Tobias’ music have been performed throughout Europe, the USA and Asia.

Jill Jarman Composer
Jill Jarman
Jill Jarman
Composer

A composer and jazz pianist, Jill Jarman’s music reflects diverse genres, effortlessly merging the boundaries between classical and jazz. "...Art music with jazz waywardness…" [Swedish dagbladet]. A fascination with music from different cultures blur these boundaries further, and can be heard in works such as Echoes from the birdcage, an ensemble piece with percussionist Evelyn Glennie showing aspects from the multi-cultural sound world of London’s Kings Cross.

Her music sways between an almost timeless suspension and rhythmical energy, as in Soundwaves of light, an orchestral piece based on light emissions from the stars in the sky. Science and the natural world often inform her creative process allowing new compositional devices to occur, engaging the listener in an evolving and multi-layered sound-world. She created a new harmonic system, Polychords of limited transposition, which can be heard in many of her pieces.

Fabián Panisello Composer and Conductor
Fabián Panisello
Fabián Panisello
Composer and Conductor

Fabián Panisello, Argentinian-Spanish composer and conductor, is internationally known on the contemporary music stage for the high quality of his work. In the words of Karlheinz Stockhausen: “full of ideas, intense and bursting with energy (…) I am very happy to see that the spirit of Webern continues to live in a changed world”.

Fabián Panisello is founder and artistic director of PluralEnsemble, recognized as one of the most outstanding ensembles for new music in Europe, with regular seasons with the BBVA Foundation, national and international tours and CD recordings.

He is Professor of Composition at the Escuela Superior de Música Reina Sofía and guest professor at the China Conservatory in Beijing since 2018. Previously, he was Professor of Musical Analysis from 1996 to 2000 and then Academic Director at the Escuela Superior de Música Reina Sofía and the Instituto Internacional de Música de Cámara in Madrid, from 1996 to 2013, and has been Director of these same institutions from 2014 to 2019. He is composer in residence and composition professor in masterclasses and festivals in Graz, Munich, New York, Buenos Aires, Davis (CA), Shanghai, Nanning, Beijing, Bogotá, Mexico, Leuk (Switzerland), Jerusalem, Tel Aviv and Budapest, amongst others.

He was formed as a composer with Francisco Kröpfl and Julio Viera in Buenos Aires and with Bogusław Schaeffer in the Mozarteum in Salzburg (Diploma of Excellence, 1993). He completed his formation with Elliott Carter, Franco Donatoni, Brian Ferneyhough, Luis de Pablo and Peter Eötvös, among others, and he has been awarded prizes such as the Mozarts Erben of the city of Salzburg or the Premio Iberoamericano de Composición Rodolfo Halffter. He is a member of the Academia Nacional de Bellas Artes of Argentina.
In recent years, he has been focusing specifically on dramaturgical works.

His chamber opera Le Malentendu was premiered in 2016 to critical and public acclaim: “we are surely in the presence of the best premiere of new opera in the Teatro Real in a long time” (Tomás Marco); “Panisello possesses a very special talent for the stage, creating an exciting theatre with magnificent music” (Peter Eötvos). Le Malentendu was coproduced between the Teatro Colón of Buenos Aires, Warsaw Autumn Festival, Neue Oper Wien and the Teatros del Canal and Teatro Real in Madrid. Also, his multimedia musical theatre Les Rois Mages, an international coproduction commissioned by the Ernst von Siemens Music Foundation through the CSIPM and the UAM Foundation, was premiered in January 2019 with great success from both audience and critics, and will tour in the 2019-2020 season in Nice, Tel Aviv, Munich, Vienna and Klagenfurt, amongst other places.

He has also received commissions from the Donaueschinger Musiktage, Ensemble Modern, Goethe Institut, French Ministry of Culture, Ernst von Siemens Foundation, National Orchestra of Spain, Orchestra of the Community of Madrid, BBVA Foundation, Italian Institute of Culture, Alte Oper of Frankfurt, Secretary of Culture of the Buenos Aires, or Festival Takefu of Japan, among many others.
He is currently working on a horn concerto for the Reggio Emilia Festival and the soloist Radovan Vlatković, and is planning a new opera coproduction.

His work has been recognized and supported by personalities such as Pierre Boulez, Luciano Berio or Karlheinz Stockhausen, having collaborated in two world premieres of the latter with the orchestras of the Westdeutscher Rundfunk of Cologne and the Deutsches Symphonie-Orchester of Berlin; and his works have been performed by artists such as Pierre Boulez, Peter Eötvos, Susanna Mälkki, Leigh Melrose, Allison Bell, Marco Blaauw or Francesco D’Orazio, and the BBC Symphony Orchestra, Deutsches Symphonie-Orchester of Berlin, Orchestra of the Mozarteum of Salzburg, Orquesta Nacional de España or Shanghai Symphony Orchestra, Arditti Quartet and Ensemble Modern, amongst many others.

He participates in the principal festivals of the world dedicated to contemporary music, such as Wien Modern, Munich Biennale, Présences, Ars Musica, Ultraschall, Aspekte, Manca or Klangspuren Schwaz; and he has recently been invited as conductor and resident composer at the Sound Ways Festival of Saint Petersburg, the New Music Week Festival of Shanghai, the Festival Manca in Nice, the Centro Nacional de las Artes (CENART) of Mexico, the Master of the Fundación Baremboim-Said, the Bridges Festival of the Vienna Konzerthaus or the International Summer Academy of the Mozarteum in Salzburg, amongst others.

His discography includes recordings for NEOS, Col legno, Cypres, Verso or Columna Música, amongst others. His work is published by Peters Edition of Leipzig.

Matthew Peterson Composer
Matthew Peterson
Matthew Peterson
Composer

Since moving from North Dakota to Sweden in 2008, composer Matthew Peterson has made his mark as an independent and dynamic voice in music, praised for his “mastery of vocal writing and colorful orchestration” (Classical Voice America) and for crafting opera that is "darkly brilliant" (Texas Classical Review) “truly beautiful” (Anne Midgette, Washington Post), and “instantly compelling” (Heidi Waleson, WSJ).

His music defies categorization. Sixty-plus performed works feature mystical soundscapes, atmospheric light-clouds, soaring voices embracing one another midair, airy and elusive constructions of undulating dynamics and flickering facets, powerful zigzag lines, unruly and physically pounding rhythms snorting with life, and songs of devastating simplicity.

Caroline Pether Leader of Manchester Camerata
Caroline Pether
Caroline Pether
Leader of Manchester Camerata

‘Every phrase is executed with such flamboyance, enhanced by her passion.’
Buzz Magazine, 2019

Caroline is the Leader of Manchester Camerata and the Leader of Welsh chamber orchestra Sinfonia Cymru. As well as leading, Caroline assumes the role of Soloist and/or Director in multiple projects with both orchestras. Chamber music sensibilities are at the heart of Caroline’s music-making; she enjoys a regular duo partnership with Camerata's principal cellist Hannah Roberts and participates in chamber music projects with many organisations across the UK. From 2010 to 2019 Caroline was the first violinist of the Zelkova Quartet, winners of the 2017 St Martin's Chamber Music Competition and the 2014 Royal Overseas League Elias Fawcett Award for Outstanding Chamber Ensemble.

Caroline is passionate about enthusing and educating the next generation of musicians in her work as both a Violin Tutor at the Royal Birmingham Conservatoire and as a guest elsewhere, delivering masterclasses and workshops. Caroline studied with two of the UK’s leading violin educators; she began her studies with Lucy Akehurst at the Royal Birmingham Conservatoire’s esteemed Young Strings Project, and later studied with Professor Wen Zhou Li at Chetham’s School of Music and the Royal Northern College of Music. Caroline plays on a violin made by the internationally acclaimed maker Stephan von Baehr.

Morten Ryelund Conductor and Artistic Director of DUEN – The Danish Youth Ensemble
Morten Ryelund
Morten Ryelund
Conductor and Artistic Director of DUEN – The Danish Youth Ensemble

There are two distinct strands to Morten Ryelund’s resumé. Firstly, he is an ambitious and highly professional orchestral conductor with great credentials. Secondly, through his extensive work in the field of youth orchestras, not least as the leader of Danish National Youth Ensemble, he has been a key figure for many young Danish musicians in their pathway to the professional music scene.

Morten Ryelund made his professional conducting debut with the South Jutland Symphony Orchestra in 1996. Since then he has worked with orchestras and ensembles such as Copenhagen Philharmonic, Aarhus Symphony Orchestra, DR Concert Orchestra, Aarhus Symphony Orchestra, Malmö Symphony Orchestra, Helsingborg Symphony Orchestra, Stockholm Sinfonietta, Bergen Chamber Orchestra, Copenhagen Chamber Orchestra, The Royal Opera Choir, The Danish National Radio Choir and Athelas Sinfonietta Copenhagen.

Albert Schnelzer Composer
Albert Schnelzer
Albert Schnelzer
Composer

ALBERT SCHNELZER ”one of Sweden’s foremost composers” (Classical Music Magazine, UK), made his international breakthrough at the Présence Festival in Paris 2004. His music is often described as energetic and forwardgoing, lyrical and fragile, but also directly accessible and intensly personal.

Albert Schnelzer was born in Värmland, Sweden on June 3 1972. Between 1994 and 2000 he studied at the Malmö Academy of Music and he has also studied at master’s level at the Royal College of Music in London. In 1998, while still a student, Albert Schnelzer won the competition Composers of Tomorrow with the orchestral work ”Erupto”, which was premiered by the Helsingborg Symphony Orchestra.

Dobrinka Tabakova Composer
Dobrinka Tabakova
Dobrinka Tabakova
Composer

Dobrinka Tabakova is a composer of ‘exciting, deeply moving’ music (Washington Times), with ‘glowing tonal harmonies and grand, sweeping gestures [which] convey a huge emotional depth’ (The Strad). She has been commissioned by the Royal Philharmonic Society, BBC Radio 3 and the European Broadcasting Union. Her debut profile album String Paths, on ECM Records, was nominated for a Grammy in 2014. In 2017 she was appointed composer-in-residence with the BBC Concert Orchestra.

The music of Dobrinka Tabakova has featured in films (Jean-Luc Godard’s Adieu au langage and Le livre d’image), dance (Sydney Dance Company/ Rafael Bonachela Anima and American Ballet Theatre Studio Company/ George Williamson Murmuration) as well as international music festivals including Schleswig-Holstein; Moscow Homecoming; Three Choirs, UK; World Sun Songs, Latvia and Dark Music Days, Iceland. Creative programmers like violist/conductor Maxim Rysanov, Amsterdam Sinfonietta, violinists Gidon Kremer and Janine Jansen as well as Irish DJ John Kelly, Orchestra of the Swan and Sorel Organization have all championed her music over the past decade.

Among prizes for her work are the Jean-Frédéric Perrenoud prize and medal at the 4th Vienna International Music Competition; the prize for an anthem for the Queen’s Golden Jubilee, performed at St Paul’s Cathedral, the GSMD Lutoslawski Composition Prize and the Adam Prize of King’s College London. Her Fantasy Homage to Schubert, nominated by the Bulgarian National Radio, was selected at the 2014 International Rostrum of Composers in Helsinki. In 2011 she was awarded first prize and the Sorel Medallion in Choral Composition, New York.

Significant projects include Immortal Shakespeare - a cantata for the Shakespeare 400 anniversary in 2016, The High Line for orchestra, inspired by New York’s park in the sky and the UK New Music Biennial film collaboration PULSE. Tabakova’s recent long-term residency with Truro Cathedral resulted in her second profile album, this time focusing on her choral works. Recorded at Truro Cathedral with the Cathedral Choir and BBC Concert Orchestra for Regent Records, the album received the 2019 Critic’s Choice of Gramophone Magazine and Music Web International. The same year, her Centuries of Meditations was selected by the PRS Foundation as one of the eleven best pieces of British orchestral music from the past 25 years and toured around major UK cathedrals by the City of London Sinfonia.

Other notable residencies have included working with Leipzig MDR Orchestra, Davos Festival and Unbeaten Path Festival in the Bulgarian Rhodopi Mountains. Her orchestral work Orpheus’ Comet opened the 50th anniversary celebrations of the Music Exchanges of Euroradio and the major commission of her double piano concerto Together Remember to Dance was premiered by Arthur and Lucas Jussen at Amsterdam’s Muziekgebouw. In 2019, Tabakova’s Timber & Steel was premiered at a special Prom concert celebrating 150 years since the birth of the festival’s co-founder Sir Henry Wood.

Forthcoming projects include a concerto for orchestra as part of Tabakova’s residency with the BBC Concert Orchestra, the set work for the ARD String Quartet competition 2019, a large-scale choral commission for the St Louis Chamber Chorus and a violin concerto for Hugo Ticciati.

Dobrinka Tabakova was born in the historic town of Plovdiv, Bulgaria in 1980 and for over 25 years has lived in London. She graduated from the Guildhall School of Music & Drama and holds a PhD in composition from King’s College London.

Mark Tatlow Conductor, Pianist, Educator and Researcher
Mark Tatlow
Mark Tatlow
Conductor, Pianist, Educator and Researcher

Associated for many years with Drottningholms Slottsteater, most recently as Artistic Director (2007-13), and was Professor of Musical Studies at the University College of Opera, Stockholm (2002-12). In 2013 Mark co-founded Performing Premodernity, a five-year research project based at the Department of Culture and Aesthetics at Stockholm University. Since 2002 he has worked in various part-time capacities at Lilla Akademien (the Junior Academy) in Stockholm, and isthe school's Artistic Advisor.

Recent projects include compiling and conducting Georgiana, a new eighteenth-century opera pasticcio, commissioned for the 40th anniversary of the Buxton Festival (UK), conducting and staging Purcell's Dido and Aeneas for the Stift Festival (Holland); and conducting at the Trigonale Festival (Austria). Forthcoming projects include leading Performing Premodernity's Rousseau Double Bill (Pygmalion and Le Devin du Village) at Confidencen.
His doctoral research stems from questions that arise from performing Italian opera and other vocal music from the late Enlightenment era today.

​Theme
​Theme

NATURE and the CITY

Since the dawn of modernism the city has provided music, art and literature with perhaps its most enduring motif. Building on that tradition, the theme for this year’s award is the tension between nature and the city, and the evolving relationship between technology and the natural world.

Nostalgic reflections, a call to arms, a celebration or a lyrical lament: the theme can be freely shaped according to the composer’s own vision.

Guidelines
Guidelines

INSTRUMENTATION
String orchestra with optional percussion

LENGTH 8-10 minutes

DEADLINE 1 April 2021

Prize
Prize

€3,000 in prize money (prize money can be split according to the jury’s discretion)

Premiere performances in Manchester in 2021 and in Sweden and Denmark during the 21/22 season

Travel and accommodation to attend premiere performances (up to a maximum amount of €500 per performance)

Terms
Terms

TO ENTER
Email a PDF of the score and a sound file of the composition to commissions@omodernt.com
along with:

APPLICANT DETAILS
Name, date of birth, nationality, country of residence, email address, telephone number, short biography

WORK DETAILS
Title, length and short description of the ‘idea’ behind the work

Apply
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