Johannes Brahms Violin Sonata No. 1 in G Major Op. 78
Vivace ma no troppo
Adagio – Più andante – Adagio
Allegro molto moderato

Rosita Piritore Quartetto d’Archi (SWEDISH PREMIÈRE)
Winner of the Vladimir Mendelssohn Composition Competition

Arnold Schoenberg 2 Gesänge Op. 1, No. 1 ‘Dank’

Richard Wagner Wesendonck Lieder WWV 91
/arr. David Lundblad
‘Der Engel’
‘Stehe stille!’
‘Im Treibhaus’
‘Schmerzen’
‘Träume’

Price 190 kr
Student Ticket 50 kr
Festival Pass 1650 kr

20% discount for Friends

When one thinks of musical revolutions in the second half of the nineteenth century, it is Wagner and the so-called Artwork of the Future that immediately springs to mind. But, as Schoenberg brilliantly articulated in his famous essay ‘Brahms the Progressive’, another more subtle revolution was enacted in the musical language of this year’s O/Modernt featured composer, Johannes Brahms. Presenting a concert of contrasting revolutions, we invite you to come and decide for yourself: who do think who was the more progressive?

När man nämner musikaliska revolutioner under andra hälften av 1800-talet så går tankarna omedelbart till Wagner och ”framtidens konstverk”. Men som Schönberg så briljant formulerade det i sin berömda essä ”Brahms den progressive”, så genomfördes en annan – mer subtil – revolution i det musikaliska språket hos Johannes Brahms, den tonsättare som står i fokus under årets Festival O/Modernt. Vi bjuder in dig till en konsert med kontrasterande revolutioner, så att du själv kan avgöra vem du tycker var den mest progressive!