With his inexhaustible enthusiasm for artistic innovation, violinist and conductor Hugo Ticciati embraces the full spectrum of creative expression. Aside from his roles as O/Modernt’s Artistic Director and leader of O/Modernt ensembles, he regularly performs in prominent venues across the globe. Conversely, when taking a break from devising his acclaimed programmes, he can be found improvising with monks in India.
Hugo’s passion for early music and non-western musical traditions, intertwined with his love for the classical canon and the world of new music, alongside rock and pop, are clearly reflected in his vision for O/Modernt, which he founded in 2011. Similarly, at least forty new works have been written for him by a host of eminent composers, most notably Erkki-Sven Tüür, Pēteris Vasks, Victoria Borisova-Ollas, Albert Schnelzer, and Dobrinka Tabakova.
As a soloist and conductor, Hugo frequently collaborates with the Basel Chamber Orchestra, Kremerata Baltica, Scottish Chamber Orchestra, Stuttgart Chamber Orchestra, Lithuanian Chamber Orchestra, and Camerata Strumentale ‘Città di Prato’. Notable recent highlights include performances with the Deutsches Symphonie-Orchester in Berlin, the Estonian National Symphony Orchestra, the Swedish Chamber Orchestra, Kammerakademie Potsdam, and Tapiola Sinfonietta.
In addition to his reputation for exquisite performances, Hugo is well known for his imaginative programming. He is repeatedly invited to express his artistic vision by formulating alternative concerts and festivals for international partners, and he enjoys ongoing collaborations with Wigmore Hall and Kings Place in London. With his boundless creative energy, gifted playing, and warm personality, Hugo has forged close artistic associations with eminent international musicians, including Alexander Lonquich, Angela Hewitt, Anne Sofie von Otter, Christoffer Sundqvist, Ema Nikolovska, Evelyn Glennie, Julian Arp, Nils Landgren, Olli Mustonen, and Soumik Datta.
Hugo frequently gives masterclasses and lectures on music-related subjects at educational institutions throughout Europe and further afield. He is also Deputy Artistic Director of Lilla Akademien, Scandinavia’s leading specialist music school.
His technical and musical command are extraordinary and his creative imagination is compelling.
— Herald Scotland
Hugo has a rare ability to convey a profound understanding of the music and shed light on its spiritual intent
— Arvo Pärt
Hugo has spent much of his professional life reimagining the traditional concert experience, transforming it into an arena for mould-breaking listening encounters in which much-loved pieces from the standard repertoire are heard alongside newly commissioned compositions and artfully curated selections of works from diverse epochs, genres and cultures. Explore a broad selection of Hugo’s programming here. Below is a list of Hugo’s concerto repertoire.
Golfam Khayam Concerto for Voice, Violin and String Orchestra (2024)
Žibuoklė Martinaitytė ‘Ekaggata’ for Violin and String Orchestra (2024)
Loreta Narvilaitė ‘Where the Dune Path Leads’ for Violin and String Orchestra (2024)
Krists Auznieks ‘Le livre du silence’ for Violin and String Orchestra (2023)
Sauli Zinovjev Concerto for Piano, Violin and String Orchestra (2022)
Pēteris Vasks ‘In Evening light’ for Violin and String Orchestra (2021)
Dobrinka Tabakova ‘The Patience of Trees’ for Violin, Percussion and String Orchestra (2021)
Arturs Maskats ‘Summer Dreams’ for Violin, Mezzosoprano and String Orchestra (2020)
Erkki-Sven Tüür ‘Angel’s Share’ for Violin and String Orchestra (2018)
Jörgen Dafgård ‘Eclipse’ for Violin and String Orchestra (2018)
David Sandström ‘Seven Pieces’ for Violin and Orchestra (2016)
Jill Jarman ‘Mindstream’ for Violin, Marimba and String Orchestra (2015)
Victoria Borisova-Ollas ‘Labyrinths of Love’ for Violin and String Orchestra (2015)
Leonardo Coral Concerto for Violin and Orchestra (2013)
Sverre Indris Joner ‘Con cierto toque de tango’ for Violin and String Orchestra (2013)
Volodymyr Runchak ‘Key to the Treble Clef’ for Violin and String Orchestra (2013)
Thomas Sleeper Concerto for Violin, Piano and String Orchestra (2013)
Albert Schnelzer ‘Coupled Airs’ for Violin and Orchestra (2012)
Sergey Evtushenko ‘Dreaming’ for Violin and String Orchestra (2012)
Tobias Broström ‘Samsara’ for Violin, Marimba and Orchestra (2011)
John Adams Violin Concerto
Ludwig van Beethoven Violin Concerto Op. 61
Béla Bartók Violin Concerto No. 2
Johannes Brahms Concerto for Violin & Cello Op. 102
Tobias Broström Violin Concerto
Alban Berg Violin Concerto
Philip Glass Violin Concerto
Anders Hillborg Violin Concerto No.1
Giya Kancheli Lament
György Ligeti Violin Concerto
Bo Linde Concerto for Violin Op. 18
Witold Lutoslawski Partita / Chain 2
Wolfgang Amadeus Mozart Complete Violin Concertos
Krzysztof Penderecki Metamorphosen
Sergey Prokofiev Violin Concerto No. 2 in G minor Op. 63
Wolfgang Rihm Gesungene Zeit
Igor Stravinsky Violin Concerto
Tōru Takemitsu Far Calls. Coming, Far!
Lera Auerbach Dialogues with Stabat Mater | Suite Concertante
Johann Sebastian Bach Complete Violin Concertos
Karl Amadeus Hartmann Concerto Funèbre
Tigran Manssurjan Concerto for Violin and Cello
Arturs Maskats Concerto Grosso
Nico Muhly Shrink
Astor Piazzolla Four Seasons of Buenos Aires
Max Richter The New Seasons, Vivaldi Recomposed
Alfred Schnittke Violin Sonata with Chamber Orchestra
Rodion Shchedrin Concerto Cantabile
Tōru Takemitsu Nostalghia
Peteris Vasks Distant Light | Vox Amoris | Lonely Angel
Antonio Vivaldi The Four Seasons
Dagens Nyheter, Sweden
Violinist Hugo Ticciati is so full of music and expressive power ... that he makes everything vibrate with excitement.
The Arts Desk, London
Ticciati showed his directing, for which read conducting, instinct as leader with the most perfect openings and endings of movements, the mark of real greatness in music-making.
Lidköping Times, Sweden
The audience at Saint Nicolai was in the midst of something truly heavenly when Hugo performed … insight, fantasy and technical brilliance … it was as though one was drawn into a world of magic.
BBC Music Magazine
Dazzling wide-ranging recital played with captivating sensitivity.
The Strad
Ticciati’s extraordinarily vivid playing holds it all together expertly.
Der Tagesspiegel, Berlin
It is very clear that Ticciati is one of tomorrow’s truly great musicians.