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Mis/Reading Beethoven

14 - 19 June 2019

Unmodern at O/Modernt IV

Ludwig van Beethoven Horn Sonata in F Major Op. 17
Ludwig van Beethoven Cello Sonata No. 5 in D Major Op. 102, No. 2
Ludwig van Beethoven Quintet in E-flat for Piano and Winds Op. 16

Alasdair Beatson piano
Nicholas Daniel oboe
Christoffer Sundqvist clarinet
Alec Frank-Gemmill horn
Emily Hultmark bassoon
Julian Arp cello

artists

Julian Arp cello
Julian Arp
Julian Arp
cello

Julian Arp, born in 1981, studied at the Academy of Music ‘Hanns Eisler’ in Berlin with Boris Pergamenschikow. He continued his studies with David Geringas and Eberhard Feltz. As a soloist and chamber musician Julian Arp appears regularly at festivals, including the Schleswig-Holstein Music Festival, the Rheingau Music Festival, Beethovenfest Bonn, Beauvais, Montreux, SoNoRo Bucharest, Stellenbosch, Stift Festival, the Oxford Chamber Music Festival, and IMS Prussia Cove. The Duo Arp/Frantz has released three CDs. In the words of Fono Forum: ‘They make music into pure celebration. It all sounds and sings.’ Contemporary composers, including Odeh-Tamimi, Koch, Nemtsov and Dinescu have written pieces for Julian Arp. He is a co-founder of the festival Zeitkunst which has been a guest at the Centre Pompidou, Radialsystem Berlin, Israel, England and Rio de Janeiro. Julian regularly gives master classes in Germany and abroad, and teaches at the University for Arts in Graz, Austria.

Hugo Ticciati violin
Hugo Ticciati
Hugo Ticciati
violin

Hugo Ticciati is blessed to be doing what he loves every day of his life – that is, making music. His old Italian violin takes him around the world to fantastic orchestras in gorgeous concert halls; it brings him together with the most inspiring artists to create music in beautiful festivals; and it sparks new creations from young composers. In his teaching Hugo explores ways to apply the physical and spiritual aspects of mindfulness to the art of practising, playing and living in music. One of the highlights of the past year was a two-week stay in an ashram at the foot of the Himalayas where he chanted every morning, meditated and swept the floors by day and in the evenings sat crossed-legged by a fire, playing Bach to barefooted monks. His musical tastes have swung dramatically during the year from contemplative Indian ragas to the megalomaniac rock-band Muse (played at high volumes) to the songs of Richard Strauss (played even louder). Hugo still lives in the blissful state of mobilephonelessness. His staple reading is the Bhagavad Gita but he has recently been captivated by the work of the French philosopher, Henri Bergson.

Nicholas Daniel Oboe
Nicholas Daniel
Nicholas Daniel
Oboe

Nicholas Daniel has long been acknowledged as one of the world’s great oboe players, and is one of Britain’s best known musicians. In a distinguished career that began more than four decades ago he has become an important ambassador in many different musical fields, and has significantly enlarged the repertoire for his instrument with the commissioning of hundreds of new works.

Nicholas dedicates his life to music in many varied ways. He records and broadcasts widely, including regular recordings on the Harmonia Mundi Label, and he boasts a huge following internationally on social media. He is proud to support and patronise many important initiatives, charities and trusts, and has directed several music festivals and concert series, most notably in Germany and Dartington, and has been Music Director of the Leicester International Music Festival and lunchtime series for many years. He is highly sought after as a teacher, being Professor at the Trossingen Musikhochschule in Germany and at the Guildhall School of Music in London.

Following his BBC Proms conducting debut in 2004, he works with many fine ensembles in wide-ranging repertoire ranging from Baroque to contemporary, and from small groups to opera. He is Music Director of Triorca, an orchestral project which brings together talented young musicians from Serbia, Germany and the UK. In recognition of his achievements he was honoured in 2012 by Her Majesty Queen Elizabeth II with the prestigious Queen’s Medal for Music, and cited as having made “an outstanding contribution to the musical life of the nation”.

Having sung as in the choir of Salisbury Cathedral as a boy, Nicholas was put directly into the spotlight at the age of 18 when he won the BBC Young Musician of the Year competition. After a short period of study at London’s Royal Academy of Music, with Janet Craxton and Celia Nicklin and then privately with clarinettist Anthony Pay and with Hans Keller, he quickly established his career with early debuts at the BBC Proms and on disc.

He has been a concerto soloist with many of the world’s leading orchestras and conductors, performing a huge range of repertoire from Bach to Xenakis and beyond, premiering works written for him by composers including Harrison Birtwistle, Henri Dutilleux, James MacMillan, Thea Musgrave, John Tavener and Michael Tippett, as well as encouraging many younger composers to write for the oboe. His recording of concertos by Vaughan Williams and MacMillan was awarded the BBC Music Magazine Premiere Award in 2016.
As chamber musician Nicholas is a founder member of the award-winning Britten Sinfonia, the Haffner Wind Ensemble and the Britten Oboe Quartet, whose debut disc was released to great acclaim on the Harmonia Mundi label in 2017. He also works regularly with the pianists Charles Owen and Julius Drake, and with many leading string quartets including the Carducci and Vogler. He is principal oboist of Camerata Pacifica, California’s leading chamber music ensemble, and is a popular guest at music festivals all over the world. Nicholas Daniel is proud to play the world’s first ‘fair-trade’ oboe, certified by the Forest Stewardship Council and made especially for him by Marigaux in Paris.

Christoffer Sundqvist Clarinet
Christoffer Sundqvist
Christoffer Sundqvist
Clarinet

Christoffer Sundqvist was born in Stockholm, moved to Finland at the age of 6 and began his clarinet studies at the Jakobstad Conservatory with Bernhard Nylund. Alongside his outstanding performances of the classical repertoire, he is an ambassador for contemporary Nordic music. Composers such as Magnus Lindberg, Erkki-Sven Tüür, Aulis Sallinen and Sebastian Fagerlund have written more than 20 works for him. Sundqvist has appeared as soloist with major orchestras, including the BBC Symphony, Gothenburg Symphony, Estonian National Symphony and Basel Symphony. A passionate chamber musician, he is co-founder of the brass quintet Arktinen hysteriaand a long-term member of the Plus Ensemblebased in Turku. Christoffer collaborates regularly with Pekka Kuusisto, Hugo Ticciati, Angela Hewitt, Oliver Triendl and Niek de Groot. Since 2013 he is Artistic Director of the Jakobstad Sinfonietta and Rusk Chamber Music Festival in Jakobstad. Sundqvist’s discography includes releases on BIS, Alba and Ondine Records, many of which have been awarded the EMMA prize.

Alasdair Beatson Piano
Alasdair Beatson
Alasdair Beatson
Piano

Scottish pianist Alasdair Beatson works prolifically as soloist and chamber musician. Highlights of the 2018/19 season include appearances at Wigmore Hall, Amsterdam's Concertgebouw, Aldeburgh, Resonances and Ernen festivals, two appearances in the Time Unwrapped series at Kings Place, and collaborations with Adrian Brendel, Steven Isserlis, Viktoria Mullova, Pieter Wispelwey, the Doric String Quartet, the Gringolts Quartet and the Nash Ensemble among many. Throughout the season he is Chamber Pianist in Residence at Sage Gateshead.
Alasdair is renowned as a sincere musician and intrepid programmer. Alongside a particular affinity with the classical repertoire and the music of Schumann and Fauré, he often explores the more exotic: Catoire, Pierné, Thuille; Debussy’s Jeux (in the composer’s arrangement for solo piano); Ligeti Horn Trio, Thomas Adès Piano Quintet; and piano trio arrangements of Debussy’s La Mer, Janacek’s Kreutzer Sonata, Shostakovich’s 15th Symphony (with 3 percussionists) and Schönberg’s Verklärte Nacht. His concerto repertoire includes works of Bach, Bartok, Fauré, Hans Abrahamsen, Hindemith, Mozart, Sally Beamish, Stravinsky, Messiaen, appearing in recent years with Britten Sinfonia, Moscow Virtuosi, Scottish Chamber Orchestra, Scottish Ensemble, Royal Scottish National Orchestra, Sønderjyllands Symphony Orchestra and Tapiola Sinfonietta.
2017 saw the release on BIS of a recording with Alec Frank-Gemmill of 19th century music for horn and piano, recorded on four exquisite historical pianos (and four fantastical historical horns) spanning 1815 - 1895. This release joins an acclaimed discography of three solo and numerous chamber recordings, on BIS, Claves, Champs Hill, Evil Penguin and SOMM labels.
A regular participant at the open chamber music at IMS Prussia Cove, Alasdair took part in their tours of 2007 and 2011, and collected the 2008 RPS Award for Chamber Music on their behalf. He has enjoyed working closely with composers George Benjamin, Harrison Birtwistle, Cheryl Frances-Hoad, Heinz Holliger and Helena Winkelman.

A former student of John Blakely and Menahem Pressler, Alasdair is increasingly drawn to education, teaching annually on the Musicworks summer courses, as a regular mentor at London's Chamber Studio, and maintaining a class of solo pianists at Royal Birmingham Conservatoire. Alasdair is founder and artistic director of the French chamber music festival Musique à Marsac, and from 2019 a co-artistic director of the chamber music festival in Ernen, Switzerland.

Alec Frank-Gemmill horn
Alec Frank-Gemmill
Alec Frank-Gemmill
horn

Alec Frank-Gemmill divides his time between concertos, recitals, chamber music and orchestral playing. He is widely recognised for pushing the boundaries of the French horn, whether by commissioning new music, making transcriptions of chamber music or through historically-informed performance practice. Alec was a member of the BBC New Generation Artists scheme 2014-16, appearing as soloist with the BBC orchestras on numerous occasions, including in performances of rarely-heard repertoire by Ethel Smyth, Malcolm Arnold and Charles Koechlin. He has been a regular soloist with the Scottish Chamber Orchestra, performing concertos by Mozart (on the natural horn) with Richard Egarr, Ligeti and Strauss with Robin Ticciati, and Schumann with John Eliot Gardiner. In 2017 Alec gave the premiere of James Macmillan's Concertino for Horn, conducted by Andrew Manze.

Often invited as a guest principal horn, Alec has frequently appeared with the Royal Concertgebouw Orchestra, London Symphony Orchestra and Chamber Orchestra of Europe. He also performs as part of period-instrument groups, most notably with Ensemble Marsyas. Their latest album “Edinburgh 1742: Barsanti & Handel” was critically acclaimed and singled out for its solo horn playing. Alec is the recipient of a Borletti-Buitoni Fellowship, which enabled him to make two recordings for the BIS label: a disc of 19th Century works for horn and piano with Alasdair Beatson, and baroque concertos with the Swedish Chamber Orchestra conducted by Nicholas McGegan. Both albums have been highly praised in the press.
Alec is Professor of Horn at the Guildhall School of Music and Drama in London, his alma mater. He also studied in Cambridge, Zürich and Berlin.

Cédric Tiberghien piano
Cédric Tiberghien
Cédric Tiberghien
piano

Cédric Tiberghien has been particularly applauded for his versatility, as demonstrated by his wide-ranging repertoire, interesting programming, an openness to explore innovative concert formats and his dynamic chamber music partnerships. Performances this season include his debuts with the Berliner Philharmoniker, San Francisco Symphony, DSO Berlin and NDR Elbphilharmonie Orchestra. His solo recitals include London, Chicago and Tokyo, and with violinist Alina Ibragimova at the Vienna Konzerthaus and on tour to Japan and Korea. In Spring 2019 the Théâtre des Bouffes du Nord (Paris) will present the premiere of Zauberland (Magic Land). During the 2017/18 season Cédric returned to the London Symphony Orchestra and Rotterdam Philharmonic Orchestras. Other recent collaborations have included the Boston Symphony, Cleveland, Czech Philharmonic, Orchestre de Paris, Tokyo Philharmonic Orchestras and Les Siècles at the BBC Proms.

Moonlight

A ‘sonata in the manner of a fantasy’, Beethoven’s ‘Moonlight’ sonata (1801) contains the most memorable reverie in western music. Its familiar soubriquet was coined in 1832 by the German poet Ludwig Rellstab, who said it shimmered like reflected moonlight on Lake Lucerne. The ‘Moonlight’ sonata introduces a concert dedicated to the power of the moon on composers including Schubert, Schumann and Henry Mancini, not neglecting Nicholas Britell’s Oscar-nominated score for the film Moonlight (2015). The performance concludes with Schoenberg’s impassioned meditation on nocturnal light, Verklärte Nacht.

Ludwig van Beethoven Piano Sonata No. 14 in C-sharp minor Op. 27, No. 2
Franz Schubert Die Mondnacht D 238
Robert Schumann ‘Mondnacht’ from LiederkreisOp. 39
Claude Debussy ‘Claire de lune’ from Suite bergamesque
Gabriel Fauré ‘La lune blanche luit dans les bois’ from La bonne chanson
Reynaldo Hahn L’heure exquise
Sting Practical Arrangement
Henry Mancini Moon River
Nicholas Britell Moonlight (Original Soundtrack)

- Interval -

Arnold Schoenberg Verklärte Nacht Op. 4 (‘Transfigured Night’)

Anne Sofie von Otter mezzosoprano
Hugo Ticciati violin
Bengt Forsberg piano
Cédric Tiberghien piano
O/Modernt Chamber Orchestra

artists

Hugo Ticciati violin
Hugo Ticciati
Hugo Ticciati
violin

Hugo Ticciati is blessed to be doing what he loves every day of his life – that is, making music. His old Italian violin takes him around the world to fantastic orchestras in gorgeous concert halls; it brings him together with the most inspiring artists to create music in beautiful festivals; and it sparks new creations from young composers. In his teaching Hugo explores ways to apply the physical and spiritual aspects of mindfulness to the art of practising, playing and living in music. One of the highlights of the past year was a two-week stay in an ashram at the foot of the Himalayas where he chanted every morning, meditated and swept the floors by day and in the evenings sat crossed-legged by a fire, playing Bach to barefooted monks. His musical tastes have swung dramatically during the year from contemplative Indian ragas to the megalomaniac rock-band Muse (played at high volumes) to the songs of Richard Strauss (played even louder). Hugo still lives in the blissful state of mobilephonelessness. His staple reading is the Bhagavad Gita but he has recently been captivated by the work of the French philosopher, Henri Bergson.

O/Modernt Chamber Orchestra string orchestra
O/Modernt Chamber Orchestra
O/Modernt Chamber Orchestra
string orchestra

O/Modernt is always searching for new ways to encourage the next generation of young musicians. We are delighted to have established the O/Modernt New Generation, which we will be launching in Stockholm on the 12th November. The initiative includes a Stockholm-based youth orchestra which will provide opportunities for instrumentalists to perform in concert alongside members from the O/Modernt Chamber Orchestra as well as world-class soloists. There will also be a series of international masterclasses, open rehearsals for young people and exchanges, with a focus on the UK throughout 2018. More information will follow about opportunities for young people to be involved in these wonderful activities.

Cédric Tiberghien piano
Cédric Tiberghien
Cédric Tiberghien
piano

Cédric Tiberghien has been particularly applauded for his versatility, as demonstrated by his wide-ranging repertoire, interesting programming, an openness to explore innovative concert formats and his dynamic chamber music partnerships. Performances this season include his debuts with the Berliner Philharmoniker, San Francisco Symphony, DSO Berlin and NDR Elbphilharmonie Orchestra. His solo recitals include London, Chicago and Tokyo, and with violinist Alina Ibragimova at the Vienna Konzerthaus and on tour to Japan and Korea. In Spring 2019 the Théâtre des Bouffes du Nord (Paris) will present the premiere of Zauberland (Magic Land). During the 2017/18 season Cédric returned to the London Symphony Orchestra and Rotterdam Philharmonic Orchestras. Other recent collaborations have included the Boston Symphony, Cleveland, Czech Philharmonic, Orchestre de Paris, Tokyo Philharmonic Orchestras and Les Siècles at the BBC Proms.

Anne Sofie von Otter mezzo-soprano
Anne Sofie von Otter
Anne Sofie von Otter
mezzo-soprano

Internationally acclaimed Swedish mezzo-soprano Anne Sofie von Otter has long been considered one of the finest singers of her generation. A lengthy and exclusive relationship with Deutsche Grammophon produced a wealth of recordings and numerous awards including an International Record Critics’ Award (recording artist of the year), a Grammy Award (best classical vocal performance) for Mahler’s Des Knaben Wunderhorn, and a Diapason d’Or for a recording of Swedish songs with her long-time accompanist, Bengt Forsberg. She collaborated with pop legend Elvis Costello on the disc For the Stars and in October 2010 released her first recording on the Naïve label, Love Songs, a collaboration with renowned jazz pianist Brad Mehldau. Subsequent recordings for Naïve include So Many Things – a collaboration with trailblazing string quartet Brooklyn Rider – and a double CD of mélodies and chansons entitled Douce France which received a Grammy Award for Best Classical Solo Vocal Album.

Anne Sofie von Otter earned an international reputation as an outstanding Octavian (Der Rosenkavalier) with performances at the Royal Opera House, Bayerische Staatsoper and Opéra national de Paris. She performed the role as part of a series of engagements with James Levine at The Metropolitan Opera, and also with Carlos Kleiber in New York, Tokyo and at the Wiener Staatsoper (available on DVD). Other seminal opera recordings include Idomeneo, La clemenza di Tito, Alceste and Orfeo ed Euridice under John Eliot Gardiner, Handel’s Ariodante and Hercules under Marc Minkowski, Pelléas et Mélisande under Bernard Haitink and Ariadne auf Naxos under Giuseppe Sinopoli.
Recent roles have included Cornelia (Giulio Cesare) at the Salzburger Festspiele with Cecilia Bartoli (available on DVD); Geneviève (Pelléas et Mélisande) under Philippe Jordan for Opéra National de Paris (available on DVD); Leocadia Begbick (Mahagonny) at the Royal Opera House Covent Garden and Countess Geschwitz in Christoph Marthaler’s production of Lulu at Staatsoper Hamburg. She appeared as Jenny (Die Dreigroschenoper) at Theater an der Wien and as Waltraute (Die Götterdämmerung) at Festival d’Aix en Provence, Deutsche Oper Berlin and Wiener Staatsoper under Sir Simon Rattle, and she created the role of Leonore in the world premiere of Thomas Adès’ The Exterminating Angel at the Salzburger Festspiele and at the Royal Opera House Covent Garden, conducted by the composer. In Helsinki in September 2017 she created the role of Charlotte Andergast in Höstsonaten/Autumn Sonata – story by cinema legend Ingmar Bergman and music of Sebastian Fagerlund, directed by Stéphane Braunschweig.
A busy concert schedule takes Anne Sofie von Otter to all corners of the world where recent appearances have included the Boston Symphony Orchestra, Washington’s National Symphony Orchestra, Swedish Radio Symphony Orchestra, London Philharmonic Orchestra, and l’orchestre Les Siècles with François-Xavier Roth. She performed Kindertotenlieder at Carnegie Hall with the orchestra of the Metropolitan Opera and Esa-Pekka Salonen and she appeared with Jonas Kaufmann and the Berliner Philharmoniker, conducted by the late Claudio Abbado, for a televised performance of Das Lied von der Erde on the 100th anniversary of Mahler’s death.

O/Modernt Friends priority booking 22 Feb, general booking 20 Mar Become a Friend